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Being in business this long requires a certain amount of ingenuity and self-sufficiency. We take pride in maintaining our equipment so that every time we roll out we know it’s good to go.
Even more important than the gear is our experience. We've been
at it long enough to know what works and what doesn't. This is what
turns an average job into a great production.
Here's a partial list of the equipment we have ready at a moment's notice:
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Equipment
List
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Film:
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- Arri 535B Loaded
- Arri 435 Advanced
- Arri 35BL-3
- (2) Arri BL-2 (PL + STD)
- (2) Arri 35-2C (PL+ STD)
- Arri 16SR3 Highspeed
- Full Ziess Superspeed Lenses, Wireless Video Assist
- Bell & Howell 35mm Eyemo
- 16mm Underwater package
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Video:
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- Red One Camera package: LOADED
- Panasonic AJ-HDX900P
- Fujinon A10x4.8 BEVM-28 SUPER-WIDE
- Panasonic LH1710 17" HD monitor
- VIO HD POV Cameras
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Audio:
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- Pro Tools, ISDN Dolby FAX
- Neumann U-87Ai (2)
- Sennheiser 816, 416 & MKH50 with fishpoles,
- zeps and rycotes
- Sound Devices 302 mixer, Lectrosonics
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Post:
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Final Cut Pro Studio, Media 100 i™, AJA Kona
- After Effects, Photoshop, Illustrator, Ultimatte
- compression for DVD and Web
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5 Ton Camera/Grip Truck:
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- View Description
- View 20' Box Contents
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30' Support
Trailer
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View Description
view photos
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